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‘Tully’ Film Review – Premiered at Sundance Film Festival 2018

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Tully Film Cast & Crew:

  • Director: Jason Reitman
    Cast: Charlize Theron, Ron Livingston, Mackenzie Davis, Elaine Tan, Mark Duplass, Asher Miles, Lia Frankland and Fallica.
  • Running Time: 94 Minutes.
  • Screenwriter: Diablo Cody
  • Director of photography: Eric Steelberg.
  • Producers: Diablo Cody, Beth Kono, Helen Estabrook, A.J. Dix, Mason Novick, Aaron L. Gilbert, Charlize Theron and Jason Reitman.
  • Executive producers: Jason Cloth, Jason Blumenfeld, Ali Jazayeri, David Gendron, Andrew Pollack, Ron McLeod, Stan Thomas, Paul Tennyson and Dale Wells.
  • Distributor: Focus Features
  • Production company: Right Way Productions, Bron Studios, and Denver & Delilah Productions.
  • Release Date: April 20, 2018


Tully has been surprisingly premiered at the Sundance Film Festival, 2018. Categorized as the American comedy-drama; this movie is written by Diablo Cody and directed by Jason Reitman. The movie talks about the friendship between a mother with three children with her babysitter and is all scheduled to be released on April 20th, 2018. The third collaboration between Diablo Cody and Jason Reitman, the movie stars Charlize Theron as the lead. Being a desperate mother as she is, her prayers are indeed answered in the form of the nanny.Eleven years after Juno, both of them have teamed together to give us a sharp, strange and funny tale of pregnancy and how things will alter it.

Tully Film Summary:

We initially meet Marlo’s belly before Marlo, the 40-year-old mother of two who gets pregnant again as she trundles the staircase in a suburban house. Her facial gesture suggests that she doesn’t much life apart from the baby going inside her. “I feel like an abandoned trash barge,” she says. “My body looks like a relief map for a war-torn country,” she tells his rich brother when she was asked about the last time they had sex with his negligent and ignorant husband. The new baby in the movie is not a happening, its an accident.

The story starts with Theron opening the act where the worn out Marlo struggles as she’s in the last trimester of her pregnancy. She only chooses to dive into the routine included with diaper/feeding/wail for her newborn in order to be habituated to the original routine. The movie also deals with the cinematic birth control of the counterpart and it is important to use the protection or you might wind up with kids to avoid the living out.

As the story goes, Marlo lives with her husband Drew, played by Ron Livingston with everything on their hands. Their daughter gets into an awkward phase as she goes and the son becomes quirky as he’s a demanding kid whose special needs are not yet mentioned. Her brother who has made enough money lives a luxury life with his perfect wife and plans on giving them a gift that would remind them that they are not up for this. He also offers them to hire a nanny who can keep an eye on the baby for the parents to get rest so that the work of the Mommy would get easier and that she just has to be around the baby when the baby is hungry.

Her husband, as careless as he gets does nothing but goes to work trips, plays video games as Marlo obsessively stays awake and watches reruns of “Gigolos” the magnificent Showtime. Her nipples leak as she moves, her feet grow three sizes more than the first time they are shown and her belly is well unbelievably fat in the film.

And then Tully enters ringing the door bell saying, “I’m here to take care of you.” And just like that, everything changes.

However, because of the selfish reasons both of them reject the offer. But when the situation comes where Marlo goes postal at her child’s school, she had to reconsider about it and here is where we enter into Tully; a woman who enters into their lives to make everything okay. Not only does she takes Marlo’s exhaustion but also reminds Marlo what she made out of her body. The first few nights get impeccable but after spending other nights, Tully goes beyond the nanny duty including cleaning the house, baking cakes making Marlo happy that she stays late in the night just to hang out with her. She draws so much of energy from her and becomes a rather sentient human.

Defining questions eventually emerge: Is the old Marlo dead, or is she just kind of dormant? Does motherhood require a woman to sacrifice herself at the altar of her children, or is keeping some part of herself a key to ensuring that her kids have someone to love?

Tully Film Review

Tully Film Review:

Theron and Davis stay put in the film, perfectly together and as we see the actresses playing the roles; you will forget the fact that they are actually picturized. They are like two sides of the same coin, belonging to each other and supporting each other. Playing Marlo, Theron exceeded in channeling the rage into a resentment and playing the Tully, Davis becomes the best foil earning laugh through sincerity. Tully is a film which might not be able to pull the strings as hard as it is supposed to be but there’s something absolutely beautiful in the way the women hang out together and start loving each other while loving themselves and also in the way they make things easier for the people to love them.

Tully’s alien warmth and android-like way of thinking only grow weirder as things go on, and it isn’t long before we realize that the film might actually be flirting with the supernatural. here’s something graceful and true about how casually it explores the ways in which people now outsource certain parts of their lives.

This time, the makers did not approach the motherhood of a teen mom but tried to show us how it feels to be a mother of three, worn out from life and tired. Here, the third child that is going to be born can as well be said at the end of her and if not with the happening of the nanny, played by Davis; everything should have been a lot messier in their home. Tully is kind of an empowerment movie as it packs few feminist readings that question you about career, life, and other things and the best thing is that it is also packed in the entertainment shared between the characters with not many concerns regarding the severity.

Davis has managed to excel in playing the damaged and insecure women both in Halt and Catch Fire or Always Shine and expecting something else from her in Tully was kind of a shock. However, on getting this very different part from the previous roles she has played; she manages to be the bottomless tank with assistance and goodwill as Tully. If you liked her performance or wanting to know about her, you can watch her as San Junipero in one of the Black Mirror episodes which tell us why she should be the center of the stage.

Altogether, Tully is indeed too good to happen in the real life that we believe it can’t be true. However, Reitman has managed to keep it real by blending few possible scenes with the utmost impossibility and he doesn’t give you any hint in the film that it goes in the psycho-nanny direction as Marlo jokes in the starting of the film. Over the period with the arrival of Tully, we see Marlo becoming a picture-perfect housewife and all of a sudden the house environment changes into the one with home cooked meals, smiles and the two children who get startled when their mom puts some makeup.

Is Tully this generation’s non-magical Mary Poppins? Or will she and Marlo decide they’re in love and fly this nest of slumbering dependents?

One of the exuberant things about Cody’s script is that it creates a balance between the scales of Marlo’s life and it doesn’t take anything off from the plate without placing something else on the plate. One thing we should understand that the less said about the blocks ahead, the film gets better. Towards the climax, we see that Theron has given an overdue in order to vent the dreams that the character has bottled up from so long after being a mother. On Tully’s arrival, she assures the former with the condescension of the youngster that when you’re a middle-aged parent with a boring life; it is actually the manifestation of all those bottled up dreams that are to be celebrated.

On a whole, Tully is about one thing. It is about the parenthood and how people expect it to be. It is how we view it and how it actually is and how it takes away our capacity and pushes us into self-denial and delusion, making it a bigger part of the happy life.

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